Original Article Summary:
Trump’s Latest Executive Order Is ‘Erasing History’ In Smithsonian Museums, Governor Says
Maryland Governor Wes Moore had a full-blown progressive panic attack over President Donald Trump’s latest executive order, which challenges the Smithsonian museums’ promotion of ideologically divisive narratives. Trump criticized exhibits that seem more focused on guilt-tripping Americans and rewriting history through a leftist lens than on celebrating the country’s achievements. Moore accused Trump of trying to “erase history” by asking the museum to stop glorifying narratives centered on systemic racism and oppression. The order is part of Trump’s continued efforts to push back against woke re-education campaigns in federally funded institutions.
Here’s What They Meant To Say
How Dare Trump Interfere With Our Woke Shrines
According to Governor Wes “History Must Be Depressing” Moore, Trump’s attempt to curb taxpayer-funded propaganda in the Smithsonian is somehow “erasing history.” Because, of course, asking museums to focus on actual history instead of Marxist lectures on race and gender is clearly the same as lighting books on fire. For the left, the Smithsonian isn’t a museum—it’s a cathedral of woke dogma. And now that Trump’s challenging their sermons, they’re clutching their pearls and screaming censorship.
Museums Should Be About Facts, Not Feelings
Let’s be honest. The Smithsonian has become less about historical facts and more about emotional manipulation. Exhibits that used to celebrate American achievement now spend most of their time telling you why you should feel awful about being American. Trump’s executive order doesn’t erase history; it simply asks that museums stop using federal funds to push victimhood narratives and divisive ideology. But to the left, any pushback against their worldview is an attack on “truth.”
Final Sarcastic Paragraph
So to sum it up: Trump wants museums to focus on history, and the left calls it “erasing history.” Maybe next time he should just rename the Smithsonian “The Oppression Emporium” and let them carry on with their guilt-fueled interpretive dance routines.